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You're Invited to the Optic Nerve XIII Film Festival!

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In recognition of its 15th anniversary, the Museum of Contemporary Art, North Miami has broadened the scope of its annual Optic Nerve Film Festival featuring new short films and videos by artists. This year, in addition to selections from South Florida artists, films by artists from around the country will be screened.  

Optic nerve Optic Nerve XIII will be presented on Saturday, August 27 with two screenings at 7 pm and 9 pm at the Museum of Contemporary Art,  770 NE 125th Street,  North Miami, FL  33161.  The program includes 18 films by 15 artists and 2 artist collectives, all less than five minutes in length and made within the last two years which were selected from an open call for submissions.

One of the films will be purchased for MOCA’s permanent collection. The selection will be announced by MOCA Executive Director Bonnie Clearwater at the conclusion of the first screening.  Audience members will vote for their favorite film by ballot.    A reception will be held at 8 pm between the screenings with wines provided by Rex Goliath.

Optic nerve2 Optic Nerve XIII is free with museum admission ($5 adults; $3 seniors and students with ID; free for MOCA members, North Miami residents). Seating is very limited and RSVP is required.  For reservations, please call 305.893.6211 or email rsvp@mocanomi.org.

OPTIC NERVE XIII FILMS

John Bonafede, 21 Gestures, 2:50 min, New York, NY

An artist ascends into the frame with the statement "I'm Emerging." in both English and Japanese, cuing her companion to do another push up which in turn enables the artist to add another gesture to a portrait she is drawing above her head.  At the 21st attempt,  she is finished and he is exhausted.

Brian Bress, Alone, 1:02 min, Los Angeles, CA

 The artist uses a found photograph of a deserted, sparse landscape as the backdrop over which he video-collages his own totemic portrait as a woeful expression of loneliness.

Brian Bress, Its Been A Long Day, 2:13 min., Los Angeles, CA

What begins as care for an oozing wound turns into a lesson in painting and a portrait of deception. 
Jennifer Campbell, Unbridled :18 min,  Seattle, WAThe artist constructs images by posing with a variety of props in ways that de-contextualization of both the body and the object.

L. Ashwyn Collins, Remake, 3:50 min, Gifford, NH

Remake is a compilation of 16 distinct videos sourced from YouTube consisting of  the original shower scene from Alfred Hitchcock's 1960 thriller, Psycho and 15 amateur recreations of the same scene. 

Christina Corfield, Hot Circuit, 5:00 min, San Francisco, CA

This film uses a traditional narrative to mimic a penny arcade machine - even to the extent that the characters within the story are themselves robotic, endlessly repeating the same actions and same story, raising  questions about our growing  dependence on new technologies and myths.

Kasia Houlihan, Hold On, 1:39 min, Chicago, IL

With a nod and a knowing half-smile, a girl suddenly breaks into a spasmodic dance of disorienting leaps, jerky falls, and floating zigzags. As the camera tries to follow  her sporadic dance, and keep its subject in the frame, it becomes a duet between camera and subject, subject and viewer.

Eunjung Hwang, Feature Creatures, 5:00 min, New York, NY

 This film is part of a series of experimental animations, which explores the complexity of cryptic images from dreams and the subconscious.  The main aspect of the project is to produce visionary narratives inspired by the illusion of fragmented realities and compile them into a usable pictorial catalogue.

Karlo Andrei Ibarra, Crossover, 3:11 min, Miami Beach, FL

This video which depicts random Puerto Rican citizens singing the Star Spangled Banner, amplifies the socio-cultural distance between Puerto Rico and the United States.   Many long for statehood yet often do not know the language of the country in which they wish to assimilate.

Richard Jochum, Twenty Angry Dogs, Group Bark, :59 min, New York, NY

This one minute video is a single channel appendix to the sound and video installation “Twenty Angry Dogs", in which the artist asked 20 people to bark like an angry dog. 

Jennifer Levonian, Her Slip Is Showing, 4:12 min, Philadelphia, PA

This cut out watercolor animation of a suburban bridal shower explores the persistence of traditional gender roles, social awkwardness and the way in which friendship has evolved over time.

Jillian Mayer, I Am Your Grandma, 1:03 min, Miami, FL 

This autobiographical video diary log (vlog) which the artist created for her unborn grandchildren was posted on YouTube, inspiring copycats and creating fans. Envisioned as an authentic solution to fleshing out the detached model of the family tree, the artist hearkens to bygone times when ancestors could glimpse one another through a locket or lock of hair. By placing the video in a public forum, the film becomes a study of why people ultimately share their personal feelings with anonymous strangers, and whether this sharing effects the actual emotional significance of the piece. 

Ruben Millares & Antonia Wright, Job Creation In A Bad Economy, 2:15 min, Coral Gables, FL

This new video series by the collaborative Ruben Millares and Antonia Wright, is a playful commentary on the somber issue of the devaluation of the arts and education in our society.  The artists physically and metaphorically tackle the bureaucracy and walls that uphold these systems and leaving the viewer feeling sympathy for Millares and Wright, yet laughing at the ridiculousness of the situation.  

Tara Nelson, Hull, 5:00 min, Jamaica Plains, MA 

This film is a journey between layers of corporal consciousness, exploring the physical memory of trauma and the psychological repercussions of a surgical disaster.

Zachary Ordonez, Resistance - Release - Recover, Part II, 4:30 min, Cutler Bay, FL

Using strength, endurance and willpower, various men compete to see who can last the longest hanging onto a pair of ropes.

Carlos Charlie Perez, Billy The Kids, 4:40 min, New York, NY

Billy The Kids depicts a group of teenagers pretending to be famous actors questioning life's meaning through a quirky "Cat In The Hat" rhyme scheme.

Perfect Lives, Marfa, 4:57 min, Oakland, CA

Artists D. Sadja and S. Martinez fuses elements of narrative film, music video and performance art in this story about two unsuspecting cowboys.  Marfa was shot in a single 18 hour period in Marfa, TX and is part of a larger body of video postcards depicting situations and narratives in various locations.

Sarada Rauch, Pile of Demon Heads, 1:51 min, Brooklyn, NY

This film is based on the 2nd episode of the Devil Mahatmyam Epic, and takes its aesthetic from the original Star Trek series.  It is the last fight scene between Our Hero and the Demon.  The world was under attack by the most powerful demon, who took many forms, including that of a buffalo.  The gods, fearing total annihilation, endowed Our Hero with their powers and sent her into battle.  During their long battle the demon changes forms many times, and each time our hero chops his head off.  The heads that Our Hero has chopped off accumulated in a field of daisies and created pile of demon heads.

All films featured at this event will be available to view on uvuvideo.org.

 


WPBT2 premieres Secrets of the Dead: The Silver Pharaoh on May 18th at 10:00 pm

Pharaoh The royal tomb of Pharaoh Psusennes I is one of the most spectacular of all the ancient Egyptian treasures - even more remarkable than that of Tutankhamen. So why hasn’t the world heard about it? What mysteries does it contain? And what does it reveal about ancient Egypt? The tomb was discovered filled with lavish jewels and treasure almost by accident in 1939 by the French archaeologist Pierre Montet while he was excavating in northern Egypt. The royal burial chamber came as a complete surprise, no Egyptologist had anticipated a tombPharaoh2  of such grandeur in this area. Unfortunately, the tomb was found on  the eve of World War II in Europe and attracted little attention. One of the most startling discoveries inside the tomb was the sarcophagus in which the body was held: It was made of silver with exquisite detail and craftsmanship. No other silver sarcophagus has ever been found  and it is now recognized by many Egyptologists as one of the most exquisite artifacts of ancient Egypt ever to be found. The elaborate Pharaoh3 tribute within the tomb suggested it was the burial site of someone very important but as archaeologists, using the hieroglyphs inside the tomb, pieced together the identity of the pharaoh, they were left to wonder who Psuesennes I was and why he received such grand treatment. The investigation reveals political intrigue, a lost city and a leader who united a country in turmoil and became the Silver Pharaoh.


Where was WPBT2 this week?

It has been a busy one, with stops at  the Arsht Center for the Fall For The Arts street fair, we hit the ground running this week, including stops at Sun Life Stadium, The Fort Lauderdale International Film Festival, The Kravis Center and Norton Museum of Art.

Here is some video from the week that was courtesy of WPBT2's uVu Video site:

FALL FOR THE ARTS

THE FORUM CLUB OF THE PALM BEACHES

THE NORTON MUSEUM OF ART

THE FORT LAUDERDALE INTERNATIONAL FILM FESTIVAL


LOX WITH BLACK BEANS & RICE

LOX WITH BLACK BEANS & RICE: PORTRAITS OF CUBAN JEWS IN SOUTH FLORIDA 


From the opening night reception for the exhibition, the audience is
welcomed by Executive Director Marcia Jo Zerivitz, Dr. Isidoro Morjaim (part 1), Rabbi Mayer Abramowitz and exhibition photographer, Randi Sidman-Moore (part 2)


Lox  The Cuban Jewish community in South Florida began with the 1959 communist revolution in Cuba; most Jews fled and started new lives. The 30 large format candid photographs by Randi Sidman-Moore include brief oral histories. They reflect the daily lives and life and holiday cycles rituals of a people and how they are different or similar to the larger society. These "Jewbans" are examples of diversity within one cultural landscape.
 
About 12 years ago, Miami photographer Randi Sidman-Moore was on a trip to Israel when she ended up in a bus with Cuban Jews from Miami. ''They had me in tears they were so funny,'' the photojournalist recalls. "The other Jews were so quiet, but they were having a party on the bus. They introduced me to the whole subculture.'' Sidman-Moore says she knew immediately that she wanted to explore the lives of Cuban Jews, to tell in photographs the story of what makes them different from other Jews, and different from other Cubans. The project took five years to complete, funded with grants from the Palm Beach Community Foundation, the Ford Foundation, and Florida Atlantic University, which first exhibited the photographs.
 
Sidman-Moore, who grew up in New York, studied photography at Skidmore College in Saratoga Springs, N.Y., and at Studio Art Centers International in Florence, Italy. She moved to Florida in 1995. Her work has appeared in Elle, Life, Time, Cosmopolitan, Ocean Drive and The Miami Herald. 

Special FREE Screening October 15 at the Museum of Art Fort Lauderdale

            
The Fort Lauderdale International Film Festival
 and
The Museum of Art Fort Lauderdale
team up for this month's
MOAFL Third Thursday
with a special screening of
"Play The Game"
 the Winner of the 2008
Fort Lauderdale International Film Festival's Audience Award.

In addition to the evening's film showing, the Museum offers free admission, extended hours (open until 8 p.m.) and drinks available for purchase in the Museum's Cafe and Wine Bar.
The film starts at 7pm

Current Museum exhibitions include With You I Want to Live along with the Museum’s permanent collections The Spectacle of Life: The Art of William Glackens, CoBrA and The Indigo Room or Is Memory Water Soluble?  

           

Thursday, October 15, 5 p.m.-8 p.m.

5pm: Museum open for self guided tours
6:30pm: Docent led Highlight tour the second floor exhibitions

7:00pm: "Play the Game" FREE in the museum's auditorium



About the film
A ladies' man, David, teaches his dating tricks to his lonely, widowed grandfather Joe (The amazing Andy Griffith!). But as David's games begin to fail him, Grandpa quickly transforms into the Don Juan of the retirement community. Slowly, the teacher becomes the student, and it's up to Grandpa to teach David that the best way to win the game of love is not to play games at all. But both David and Grandpa may have met their match in more ways than one


SMITHSONIAN MAGAZINE'S 5TH ANNUAL MUSEUM DAY

On Saturday, September 26, 2009, the Historical Museum of Southern Florida will participate in the fifth annual Museum Day, presented by Smithsonian magazine. A celebration of culture, learning and the dissemination of knowledge,Smithsonian's Museum day reflects the spirit of the magazine, and emulates the free-admission policy of the Washington, DC-based Smithsonian properties. Doors will be open free of charge to Smithsonian magazine readers and Smithsonian.com visitors at museums and cultural institutions nationwide.

Continue reading "SMITHSONIAN MAGAZINE'S 5TH ANNUAL MUSEUM DAY" »


da Vinci Codex

35_leonardo_codex_forster_i_6v7 There really isn't a way to describe the feeling of looking at one of da Vinci's notebooks, to see his peculiar backwards writing and try unraveling the meaning in his margin notes and doodles.  It is humbling and daunting all at once. If that were the only piece  on exhibition from the V & A in London, it would probably be enough of a reason to visit the Norton Museum in West Palm Beach, but there are 40+ more artifacts, including the Limoges enamel reliquary made to house the relics of Thomas Becket; and a fifteenth-century bronze fountainhead in the form of a winged infant, by the Italian Renaissance master sculptor Donatello.
You can get a taste of this exhibit courtesy of Museum Chief Curator Roger Ward and WPBT's uVu by clicking on the link here.19_pieta